
I was going to attempt to write this yesterday, in an attempt to strike while the something or other is hot, but then forces intervened and I wound up not getting online till just now. But hey!! Pixar at it again, huh?
(More after break.)
I'm going to try something a little different with this post, as I'm going to split my take on the film into "Praises" and "Criticisms". The "Criticisms" section is going to be longer--which doesn't mean that I disliked the film. (If I were going to assign a value onto the movie, I'd give it a 6 or 7 out of 10 (with 8 being the equivalent of ****, 9 being **** +, and 10 being **** ++... it's kind of convoluted, so I don't ever attempt breaking the rating system out in public.)) PRAISES: -Not that I am one to place a lot of value in critical opinion (but I am), but I had heard through various grapevines that the first 10 minutes or so act as probably the best moments of the film. This is almost correct. This is also where Pixar works their succinct storytelling magic™, conveying a lifetime of love and loss in a simple, understated, and mostly dialogue free opening. It gives the film a certain weight that makes the rest of the adventures taken in the film tinged with bittersweetness.
-The thing is... it's actually the first 20 minutes that dwarf the entire film (well... maybe the first 20 minutes... whenever it's discovered that the little kid is also on the floating house is when it shifts to "buddy movie" or something). After we get a summary of Carl's life, the transformation into the realities of modern life come as--well, not necessarily jarring, since you know something will have to transform Carl from crochety old man into daring adventurer, but it makes you buy the idea of Carl wanting to escape from dull modernity and live--literally--on the edge. In fact, I'd probably even want this portion of the film extended a little more, just so the viewer feels they deserve the inevitable escape even more.
-Oh, and the initial shots of the house flying up in the air by balloon has this blissful grandeur that at least made the $7.50 worth it. I mean, the house carried by balloons has probably been seen millions of times thanks to ads and everything, but seeing on the big screen has a striking magnificence that even I was a little surprised by. Maybe it was the score--which was quite lovely, for the record-- or maybe it was the way Pixar used colors (in the massive collection of balloons floating in the sky, in the reflections of onlooker's faces as they gawked at the colorful array). Either way, I was impressed (I was stuck as to how to conclude this thought, so I thought maybe I could make a "joke" and say "color me impressed" instead... but then I felt like I should be shot in the face.)
Then the little kid appeared.
CRITICISMS:
-OK, so Pixar makes a lot of good films. If you're going for today's exemplary animation films--well, you're probably going to be focusing square on Pixar. The problem with Pixar is that--whether it's because they're owned by Disney or because they know children is one of their primary audiences--they cater too much to the young audience at the expense of making their film truly great (of course, some exceptions... WALL-E acheives greatness, The Incredibles for the most part lacks that "capture the kiddie demographic" feel, and things like Ratatouille I need to watch again).
Now, with this film... the characters are perhaps as rich and complex as any other film out there (although maybe the main villain is a bit too "villainous" to be real, although they at least give him some justification), which isn't something that one would expect with a truly "children's film". But... I guess there's speculation as to how Disney is going to make craploads marketing this film with a 70+ year old character as the lead, but really, they have nothing to worry about. Cause they take the troublemaking yet endearingly cuddly sidekick archetype and repeat it three times.
So we have Russell, the overweight yet thrillseeking wilderness exploring kid that Carl will obviously form some life changing bonds with over the course of the film, and that's fine. But then we get the colorful bird--the apple of the villain's eye--that joins the adventure, who is quick and helpful but also a little careless (sort of like the Road Runner, in a way.) And THEN we get Dug, the talking dog who... is a dog (i.e. stupid and loving, but it's funny because he's a talking dog and verbalizes these traits and stuff). And so Carl, Russell, the bird, and Dug join together and go on all sorts of crazy and silly adventures that as a 9 year old I would just love.
The problem is that the overwhelming cuteness... it's a bit much, and it distracts from what I found appealing in the film--that is, the tale of a man finally living his dream but doing so without the company of his long-loved wife.
I had some other things I wanted to cover, but in the process of writing this I forgot. Either way, WALL-E reigns supreme as the best Pixar film... but hey, Up doesn't suck as much as Cars. So you take what you can get.